Space and the Sacred
A Cosmogram of Holy Views
Grave Goods
Transparent Histories
Maintaining the Sacred
Dithyramb: Zaha Hadid
The Red River
Objects and Restitution
Ghosts
Charts for a Resurrection
She Still Wears Kohl and Smells Like Roses II
She Still Wears Kohl and Smells Like Roses I
Ground and the Subterranean
Maternal Exhumations
Maternal Labour
Rule of Superposition 2
Late Monuments
Depth Unknown
Rule of Superposition
On Siege and Enclosure
Revolutionary Enclosures (Until the Apricots)
Pixelated Occupation
Solomon's Pools
Jaffa: Fragments from a Continuous Modernity
On Time and Slowness
Gucci: Bamboo Encounters
The Waterclock
Recipe for Happiness
Films
A crack in the water followed by return
Always a Waiting Market
Looking for Jaffa
Once Upon a Solidarity
Sebastia
Performing Archaeology
Hollow Forms
Hollow Forms Shop
Hollow Forms: Almost Roman
Hollow Forms: Alienation
Hollow Forms: The Scent Collection
Hollow Forms: The Right to Move
Hollow Forms: On Land and On Sea
About
CV
Writing
Press
Menu
Dima Srouji
A Liberation Lab
Space and the Sacred
A Cosmogram of Holy Views
Grave Goods
Transparent Histories
Maintaining the Sacred
Dithyramb: Zaha Hadid
The Red River
Objects and Restitution
Ghosts
Charts for a Resurrection
She Still Wears Kohl and Smells Like Roses II
She Still Wears Kohl and Smells Like Roses I
Ground and the Subterranean
Maternal Exhumations
Maternal Labour
Rule of Superposition 2
Late Monuments
Depth Unknown
Rule of Superposition
On Siege and Enclosure
Revolutionary Enclosures (Until the Apricots)
Pixelated Occupation
Solomon's Pools
Jaffa: Fragments from a Continuous Modernity
On Time and Slowness
Gucci: Bamboo Encounters
The Waterclock
Recipe for Happiness
Films
A crack in the water followed by return
Always a Waiting Market
Looking for Jaffa
Once Upon a Solidarity
Sebastia
Performing Archaeology
Hollow Forms
Hollow Forms Shop
Hollow Forms: Almost Roman
Hollow Forms: Alienation
Hollow Forms: The Scent Collection
Hollow Forms: The Right to Move
Hollow Forms: On Land and On Sea
About
CV
Writing
Press
BOOK CONTRIBUTIONS
On Foraging
(edited)
Genocidios: Una lectura forense
Monumental Shadows
The Slow Factory, Planet Justice: Maternal Exhumations
Upcoming: Life of Crops
Upcoming: Take Back the Land
ARTICLES / ESSAYS
Architectural Review Keynote: Depth Unknown: Archaeology of Resistance
Victoria & Albert Museum: A Journey of the Displaced- Making Sense of the Reflections
Jerusalem Quarterly: A Century of Subterranean Abuse in Sebastia
The Avery Review: Vignettes of Subterranean Palestine
972+ Magazine: Shireen Abu Akleh
972+ Magazine: Living the Nakba, over and over
972+ Magazine: Israel’s Army of Archaeological Looters
Jadaliyya: Echoes of a depth unknown
New York Review of Architecture: On Entanglement
Migrant #6: Bedazzled Jerusalem- Foreign Imaginaries
Harper's Bazaar Art: The Steadfast Spirit of Bethlehem
LIFTA Journal: The Double Sided Map Doesn't Want to Speak, Anyway
Paprika!: White Paint on Old Stone
Jerusalem Quarterly: Solomon’s Pools: A Patient Framework Waiting for its Potential
This Week in Palestine: If Hollow Forms Could Speak
Paprika!: The Case for Architectural Suicide
Pulp #56 A Sea Of Fluff: Seeking The Global South At The Venice Biennale
Pulp #27: Feature With Dima Srouji
Brownbook: Taxi Issue On Rawhi Bawab
Paprika: Canned Sardines
Paprika: The Case For Architectural Suicide
Yale University: Museum Of Islamic Art, Doha: Nation Branding Through Museology
Portal 9: Designing Iraq: The Iraq Development Board And Its Blueprint For The Nation
Yale University: On Jersualem: As Regionalism Fades
Yale University: The Metaphysics Of Villa Shodhan: A Formal Analysis
Yale University: The Diagram: A Tool For Meaning
Yale University: Unity In The Brion Cemetery