• Objects
    • She Still Wears Kohl and Smells Like Roses II
    • Ghosts
    • Charts for a Resurrection
    • Grave Goods
    • Maternal Exhumations
    • Revolutionary Enclosures (Until the Apricots)
    • She Still Wears Kohl and Smells Like Roses I
    • Recipe for Happiness
  • Films
    • A crack in the water followed by return
    • Always a Waiting Market
    • Looking for Jaffa
    • Depth Unknown
    • Maternal Labour
    • The Red River
    • Once Upon a Solidarity
    • Sebastia
    • Performing Archaeology
  • Architecture
    • Transparent Histories
    • Late Monuments
    • The Waterclock
    • Maintaining the Sacred
    • Rule of Superposition 2
    • Dithyramb: Zaha Hadid
    • Jaffa: Fragments from a Continuous Modernity
    • Pixelated Occupation
    • Solomon's Pools
    • Rule of Superposition
  • Hollow Forms Shop
  • About
  • CV
  • Writing
  • Press
  • Menu

Dima Srouji

A Liberation Lab
  • Objects
    • She Still Wears Kohl and Smells Like Roses II
    • Ghosts
    • Charts for a Resurrection
    • Grave Goods
    • Maternal Exhumations
    • Revolutionary Enclosures (Until the Apricots)
    • She Still Wears Kohl and Smells Like Roses I
    • Recipe for Happiness
  • Films
    • A crack in the water followed by return
    • Always a Waiting Market
    • Looking for Jaffa
    • Depth Unknown
    • Maternal Labour
    • The Red River
    • Once Upon a Solidarity
    • Sebastia
    • Performing Archaeology
  • Architecture
    • Transparent Histories
    • Late Monuments
    • The Waterclock
    • Maintaining the Sacred
    • Rule of Superposition 2
    • Dithyramb: Zaha Hadid
    • Jaffa: Fragments from a Continuous Modernity
    • Pixelated Occupation
    • Solomon's Pools
    • Rule of Superposition
  • Hollow Forms Shop
  • About
  • CV
  • Writing
  • Press
1.jpg
4.jpg
2.png
3.jpg