• Rule of Superposition
    • Pixelated Occupation
    • PRINTS: Cultural Assimilation
    • IMPRINTS: Connections in Isolation
    • SOLOMON'S POOLS`
    • HOLLOW FORMS I
    • Hollow Forms II
    • ROME: Continuity + Change
    • A VISUAL INVENTORY: 1960s in the Middle East
    • 256: Film Stills + Moving Space
    • FORMAL ANALYSIS with Peter Eisenman
    • FULFILLMENT CENTER with Greg Lynn
    • ALBERTIAN DIPTYCH with Peter Eisenman
  • TEXT
  • ABOUT
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DIMA SROUJI

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ديمة سروجي

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DIMA SROUJI

  • Critical Cartography
    • Rule of Superposition
    • Pixelated Occupation
    • PRINTS: Cultural Assimilation
    • IMPRINTS: Connections in Isolation
    • SOLOMON'S POOLS`
  • Hollow Forms
    • HOLLOW FORMS I
    • Hollow Forms II
  • FORMS
    • ROME: Continuity + Change
    • A VISUAL INVENTORY: 1960s in the Middle East
    • 256: Film Stills + Moving Space
    • FORMAL ANALYSIS with Peter Eisenman
    • FULFILLMENT CENTER with Greg Lynn
    • ALBERTIAN DIPTYCH with Peter Eisenman
  • TEXT
  • ABOUT